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Na década de 1980 a renovação dos meios gráficos chegou finalmente a Portugal. Esta veio transformar um sector que se manteve durante séculos maioritariamente assente na composição e impressão de texto a partir de caracteres móveis tridimensionais em chumbo: a tipografia. Todo um universo sóciotécnico foi então abalado. Nas oficinas a tipografia passou para segundo plano, ultrapassada pela infografia e impressão offset, aguardando o desmantelamento definitivo da tecnologia que fica para a história como a «mãe das artes gráficas». O olhar etnográfico, legado da antropologia social e cultural, levou a autora a lugares onde a tipografia e os tipógrafos se fizeram ouvir até à viragem do século xx para o xxi.

Printing industry --- Graphic design (Typography) --- Management. --- History.

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Comment écrit-on pour le théâtre ? Ou, plus précisément, comment le texte de théâtre investit-il l'espace de la page ? Comment se dispose-t-il sur le papier ? Quelle forme emprunte-t-il ? L'objectif de ce volume collectif est d'étudier la question de la disposition du texte dramatique sur un large empan, de la fin du XIXe siècle à aujourd'hui, dans ses multiples enjeux. Cette perspective paraît essentielle pour aborder une période extraordinairement riche du théâtre. En dépassant à ses débuts la traditionnelle opposition du vers et de la prose, elle a permis de définir de nouveaux horizons d'écriture - et donc de lecture et de représentation. Actuellement, comme en écho, on ne compte plus les exemples d'auteurs dramatiques qui exploitent, dans l'édition de leurs oeuvres, les possibilités typographiques disponibles avec la généralisation des traitements de texte. L'ouvrage, principalement composé d'études monographiques centrées sur des exemples français, propose un parcours problématisé sur cette riche matière jusque-là peu explorée.

Drama - History and criticism - Congresses --- Layout (Printing) - History - Congresses --- Graphic design (Typography) - History - Congresses --- Book design - History - Congresses --- Theater --- théâtre contemporain --- vers --- écriture dramatique --- théâtre symboliste --- vers libre --- Drama --- Layout (Printing) --- Graphic design (Typography) --- Book design

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In Tibetan Printing: Comparisons, Continuities and Change the editors publish the results of the workshop “Printing as an Agent of Change in Tibet and beyond” held at Pembroke College, Cambridge, in November 2013. This is the first study of the social and cultural history of Tibetan book technology that takes materials, living traditions and cross-cultural comparisons into consideration. Bringing together leading experts from different disciplines, it discusses the introduction of printing in Tibetan societies in the context of Asian book cultures with an eye to the questions raised by the study of the European history of printing. This title is available online in its entirety in Open Access. Contributors are: Tim Barrett, Alessandro Boesi, Peter Burke, Michela Clemente, Hildegard Diemberger, Dorje Gyeltsen, Franz-Karl Ehrhard, Helmut Eimer, Johan Elverskog, Camillo Formigatti, Imre Galambos, Agnieszka Helman-Wazny, Tomasz Wazny, Sherab Sangpo Kawa, Peter Kornicki, Leonard van der Kuijp, Stefan Larsson, Ben Nourse, Anuradha Pallipurath, Porong Dawa, Paola Ricciardi, Tsering Dawa Sharshon, Sam van Schaik, Cristina Scherrer-Schaub, Marta Sernesi, Pasang Wangdu.

Printing --- Books --- Bookbinding --- Book design --- History --- Design, Book --- Graphic design (Typography) --- Binding of books --- Print finishing processes --- Library materials --- Publications --- Bibliography --- Cataloging --- International Standard Book Numbers --- Printing, Practical --- Typography --- Graphic arts --- Format --- Book design. --- Bookbinding. --- Books. --- Printing. --- China --- Bod Region --- Greater Tibet --- Hsi-tang Region --- Sitsang Region --- Thibet Region --- Tibbata Region --- Tibet Region --- Wei-tsang Region --- Xi zang Region --- Xizang Region --- Bibliopegy --- Social & cultural history